Just The Caffeine Talking

Steely-Eyed Missile Robot

Congratulations to the Perseverance rover on its successful landing on Mars. Pretty impressive job for a rookie pilot! Let's all wish it a long career of rolling around the Martian landscape.

ADDENDUM: Almost as impressive as the landing is the amazing improvement in data return. Forty-five years ago, when I watched the Viking landings on Mars, it took hours for the first still photos to reach Earth. Today Perseverance sent back pictures within a few minutes.

SECOND ADDENDUM: Here's a video, with control-room chatter synched to the images, of the final descent. If you've ever wanted to dive six kilometers down to the surface of Mars, this is what it looks like. (Remember that the "control" room people are watching ten-minute-old video with no way to interfere. The probe was entirely on its own.)

 

The Lost Manuscripts of Lemuel Gulliver, Part the First

Historians and students of literature were tremendously excited by the recent announcement by Oxford University that several volumes of unpublished notes by Lemuel Gulliver had been found in the Bodleian Library. 

Dr. Gulliver was a little-known 18th-century explorer, the first European to visit Lilliput, Brobdingnag, Laputa, and other lands of the Pacific. His accounts of those voyages were edited and published by the Irish satirist Jonathan Swift, and for many years were considered to be purely fictional, until those islands became important battlegrounds during the Second World War.

The notebooks discovered in the Bodelian Library contain much material which Swift elected to leave out of the popular edition of Gulliver's works. Evidently Swift, no scientist himself, thought the public would be bored by Dr. Gulliver's observations and theories on the biology of the peoples he encountered. These new discoveries restore Dr. Lemuel Gulliver to his proper place as a naturalist and early investigator of the field of biomechanics.

Here's the first deleted section, from his manuscript on Lilliput:

During my stay in Lilliput, I was continually astonished by a singular feature of the Architecture in that Kingdom, namely the utter Absence of stairs  or other means of climbing from one floor to another within a dwelling. Remarkably, this Absence did not discommode the Lilliputians in the slightest degree. To ascend, they simply leapt from one story to the next, without any sign of undue Exertion or loss of dignity. I even witnessed an elderly Lilliputian, his hair whitened and his back bent with age, vault up to his Chamber on the third floor of his house in a single bound!

In a like manner, the Lilliputians I observed did not trouble to climb downstairs — indeed, there were none to climb — but simply flung themselves out the nearest Window if they wished to alight upon the Ground.  Several times I witnessed Lilliputians in the Towns leaping across the Streets from one upper-storey window to another, showing no fear of falling, and if they did chance to miss their Aim and tumble to the ground, they showed no ill Effect of their misadventure.

Several Learned Gentlemen among the Lilliputians and Blefuscudians reported to me that none of their Race has any fear of a fall, as they can alight safely, no matter the height from which they have fallen. Indeed, they thought my natural Caution in going up and down to be unmanly, and I was occasionally the object of Ridicule for it.

Upon my return to England, I had the occasion to mention this remarkable Circumstance to my neighbor Dr. Erasmus Darwin.  He informed me that this Conduct of the Lilliputians is perfectly natural, and is a necessary Consequence of their extraordinary Diminution.

"Consider, Dr. Gulliver," (said Dr. Darwin to me) "that the weight of a man is in proportion to his volume,  if we assume that there be no material difference between the Lilliputians and ourselves but only one of scale. Therefore a Gentleman of Lilliput, proportioned like yourself but having a height of only six inches, would weigh but 1/1728 of what you do, or slightly less than two Ounces, that being the cubic power of 1/12."

I replied that this Weight was precisely that of such Gentlemen of Lilliput as I had occasion to place upon the Scales.

"But consider, Dr. Gulliver: the active Power of the Muscles is in proportion to their Area in cross-section. Our Lilliputian Gentleman's leg muscles would be 1/144th the size of yours in Area, and thus in Strength, as that is the square of 1/12." As he spoke he made some rapid calculations with a lead pencil upon a sheet of foolscap.

"Surely that cannot be right," I interjected.  "For that would mean he would be twelve times as strong as I, in proportion to his size."

"That is exactly right, Dr. Gulliver. He would indeed be stronger — in proportion. If you yourself are able to leap to a height of (let us say) three feet, that is, a height equal to one-half your own, then a Lilliputian would be capable of leaping twelve times as far in proportion, or six times his own height. In fact, the proportions cancel themselves out, so we are faced with the startling conclusion that a Lilliputian can leap as high as you yourself, Dr. Gulliver! The people of Lilliput have no need of stairs, for to jump up a Storey requires no greater effort for them than for you to ascend a single step."

PhilCon 2020 Goes Virtual

This year's PhilCon — the venerable Philadelphia-era science fiction con now in its 84th year — is going to be all-online. On the plus side that means no New Jersey traffic and mall food; on the minus side it means no spontaneous conversations in the hotel lobby, no room parties, and no basic human contact. But a virtual convention is better than none at all. 

Still, as in past years I will be participating, from my office in Massachusetts. Here's my schedule:

 

Friday November 20, 5:30 p.m.: Online Gaming: Not Just for Pandemics

Michael Ryan (moderator), Robert Hranek, James L. Cambias, Debby Lieven

The four of us will be discussing how the ongoing epidemic has affected how people play games -- will we go back to tabletops and rec rooms again, or is online gaming the future?

 

8:30 p.m.: From the Iron Bank to CHOAM: Business in Fiction

James L. Cambias (moderating), Anthony Dobranski, Elektra Hammond, Tom Doyle, Ian Randal Strock

A panel about the role of business and economics in fantastic fiction. How does a world's economy affect the stories one can tell? What does fiction get right and wrong?

 

Saturday November 20, 5:30 p.m.: The Oceans of Space

James L. Cambias, Tom Purdom, Kelli Fitzpatrick

I think I'm moderating this one. The three of us will discuss famous maritime science fiction, and how new discoveries in and beyond the Solar System may influence future ocean stories.

 

Sunday November 21, 1:00 p.m.: The Search for the Philosophers' Stone

Robert Hranek (moderator), Anastasia Klimchynskaya, James Prego, James L. Cambias, Elizabeth Crowens

We'll look at the history of alchemy, how discoveries in chemistry and physics changed our understanding of how matter works, and look at some other concepts which have shifted over time.

 

4:00 p.m.: Reading

I'll give con goers a glimpse into my forthcoming novel The Godel Operation, and the amazing far-future setting The Billion Worlds.

Twenty Years!

Today marks a significant anniversary. Twenty years ago, on October 31, 2000, the first crew launched to the International Space Station. Station crews are called "Expeditions," so Expedition 1 began on that date. We're currently on Expedition 64, with three in the pipeline and many more planned. The Expeditions overlap, so that the new crew arrives and can get acclimated before the old crew leaves. More recently, people have switched between Expeditions while aboard, to remain behind when the rest of their team goes home.

What all this means is that for twenty years now, there have been at least three humans living off Earth at all times. It's a small colony, and it's not self-sufficient, but one must crawl before learning to walk.

I called it a significant anniversary, but in time I hope "20 years in space" becomes an insignificant anniversary, as the human presence beyond Earth passes 50 years, a century, two centuries . . . 

There will come a time when it is a matter of historical curiosity that there was ever a time when humans did not live off Earth. The date may someday be as obscure as the anniversary of the first time a human walked out of Beringia into North America, or when the first humans crossed the Suez isthmus to discover a whole planet beyond Africa. So let's honor the occasion in the fond hope that it will someday be forgotten.

The First CYBER WorldCon!

This year's World Science Fiction Convention was to have taken place in New Zealand, but since that country is entirely sealed off from the outside world, the convention has gone entirely on-line. It's a CYBER WorldCon! See the link here.

Despite obstacles the show will go on! I'm participating in several events, without leaving my house in Massachusetts. Here's my schedule (all times are in US Eastern Daylight Time):

Wednesday, July 29, 5:00 p.m.: Kaffeeklatsch

An hour-long informal hangout with me and nine other fans. Grab a drink and join us! (I probably will be having something stronger than coffee.)

Wednesday, July 29, 7:00 p.m.: Staying Closer to Home: Science Fiction in the Solar System

A panel featuring Daniel Abraham, Jeffrey Carver, myself, G. David Nordley, and Ian McDonald; focusing on the future of science fiction set within the Solar System rather than among the stars, and how our rapidly changing understanding of the Sun's other planets is affecting that.

Thursday, July 30, 5:00 p.m.: COVID-19: A Great Filter?

A panel featuring Valentin Ivanov, Vylar Kaftan, Ion Newcombe, and myself. We'll discuss whether pandemics like the current Coronavirus outbreak might explain why we don't see any sign of technological civilizations elsewhere in the Galaxy.

Thursday, July 30, 6:00 p.m.: Reading

I'll be doing a 20-minute reading of "Calando," a new short story of mine from the original anthology Retellings of the Inland Seas.

Friday, July 31, 6:00 p.m.: The Ascent of Wonder: What Makes Hard SF

Panel starring Kenn Bates, myself, Mark English, Harun Siljak, and Deborah Munro. We'll focus on how important it is to get the science right, what rules can we break, and who does it well?

Friday, July 31, 11:00 p.m.: RPG Design (And What to Do Next)

Join Michael Sands, Morgan Davie, Brandon O'Brien, myself, and Stephen Dedman for a discussion of how to design role-playing games and how to get them published.

Hamiltonian Musings

A couple of weeks ago the Crack Team launched an expedition to the distant isle of Manhattan. We toured the museum ship Intrepid, saw an exhibit of clockwork automata at the Metropolitan Museum of Art, ate some fancy food, and saw a matinee of Lin-Manuel Miranda's famous hip-hop musical Hamilton.

Quick summary: it's good. Just like the soundtrack album.

And that's not just damning with faint praise. It is a great musical experience. But the staging of the show was overwhelmed by the songs. It's not a grand spectacle. The dancing is skillful but with a fairly small stage the performers mostly have to strike poses on a rotating floor section because there isn't room to move.

To me it would be as great an experience if the performers were just standing on stage in evening dress in front of the orchestra, with the chorus on risers in the back. And I find myself wondering, why not? A purely static musical performance can be profoundly moving. 

I have heard that a film version is in the works, and I hope the director isn't content to plant a camera in front of the stage. The music would work just as well against a realistic period background. The dancers could really cut loose. Freed from the theater stage, the spectacle of the show could finally match the music.

I was very impressed by the cleverness of the lyrics and the structure of the piece. At some point Mr. Miranda must have sat down with a notepad and jotted down all the words and phrases he could think of connected with a pistol duel, and then tried to build songs around them. I suspect his hard drive contains discarded drafts of a number about "fire," perhaps one about "paces," or "triggers," or "the ground."

I was also impressed by a bit of casting: all the performers who play Hamilton's friends in the first act are his adversaries in the second, which heightens the depiction of a man becoming more and more isolated as his ambition cuts him off from everyone around him. The exception is the man who plays John Laurens and Phillip Hamilton; in both acts he's the Guy Who Dies. I do wonder if in some earlier draft Laurens had a spotlight number in the first half to match Phillip's in the second.

(No doubt there will be a book or three written about this show which might confirm or explode my speculations. Until then, I'm free to guess.)

Jim says check it out.

Arisia 2020 Report, Day 3

Sunday was my final day at the con. Most conventions are three-day affairs: show up Friday afternoon, do stuff Friday night and Saturday, maybe a few things Sunday morning, then head home after lunch. Not Arisia. Taking advantage of the MLK Day weekend, it stretches into Monday. That means Sunday is a busy full day rather than the tag end. 

I started my day moderating a panel on "Ringworld at 50," celebrating half a century since the publication of Larry Niven's landmark novel Ringworld. Opinions of the book among the five panelists varied, but we all agreed it's one of the most influential books of that era — not to mention a turning point in Mr. Niven's own career.

Slight pause after that, while I busied myself getting checked out of the hotel and finding a place to stash my stuff. Arisia may be a four-day convention, but I had prior commitments on the 20th and so couldn't stay to the end. 

I did manage to sit in on a couple of panels. The first was on book to film adaptations, and how one's impression of a work is affected by which version one experiences first. There are some cases where the film is actually better than the novel — my personal example is Carl Sagan's book Contact, which is full of plot holes the movie version avoids.

Another very useful panel was about crowdfunding and tabletop games. I may be dipping a toe into the Kickstarter world with an upcoming roleplaying game project, so it was all very informative. Watch this space for more information!

At 5:30 I participated in the panel "Writers React to Bad Writing," which might well have been called "Writers Forget Their Homework." We were all supposed to bring examples of bad prose to pick apart, but a minority of the panelists actually accomplished that simple task. I had selected a passage from Dan Brown's thriller Inferno, but cleverly left my copy at home so I had to reconstruct it from memory.

During the empty slot between that panel and my final event I taped an interview for Tyromag TV, which will probably appear in a few weeks. I don't think I picked my nose on camera.

I wound up my participation in convention programming by moderating the panel on "Hacking D&D," in which five panelists suggested rules tweaks or entire game mechanics from other games which can be ported into the most popular roleplaying system. In most cases they can probably be used in just about any game system without much tweaking. At least a couple of the examples are things I plan to use in games from now on.

With that done I could drop my name card into a recycling bin and join some other CSFWites at the ongoing "House of Toast" party. I had kind of assumed "Toast" was a euphemism, or maybe an acronym for something, but no, it was a party with about half a dozen toasters working full time popping out bread, and tables of exotic stuff to spread on them. We crunched down our toast and left the con. I got a lift to where my car was parked, and drove through a cold night back home.

 

A secret order of wizards rules the world, and one man has vowed to destroy them. The Initiate arrives in just two weeks!

Arisia 2020 Report, Day 2

Saturday the 18th was a light-duty day for me, which meant I got to enjoy the con as a member rather than as one of the dancing monkeys. 

Still fighting off my cold, I slept in on Saturday morning, starting my day by having brunch with my CSFW colleague Alexander Jablokow at a nearby Mexican restaurant. Many things of great import were discussed, though I can't quite recall any of them at the moment.

In early afternoon I sat in on a Meetup for gamemasters, discussing techniques, best practices, and resources. I had hoped to find some other gamers from western Massachusetts, but no luck. 

After that I took a turn about the dealer room and the Art Show. The quality of the artwork on display at Arisia is the highest I've seen at any convention since the Worldcon I attended in the summer of 2018.

In the late afternoon I watched a fascinating talk by David Shaw about the future of food. Unlike most studies of this topic, which focus on production, he concentrated on how new technologies and methods are affecting the art of cooking. Nor was this just theory: the talk was illustrated by slides of amazing dishes he himself had prepared. 

Following that I met with author Walter Hunt, chiefly in order to gush about his new novel Harmony in Light, and hear super-secret details of the upcoming sequel. 

After a rest to recharge my batteries, I put on my dancing-monkey costume and led a meetup for writers at 10:00 p.m. They were a great bunch, and I hope to see some of the works-in-progress they talked about during the session. 

And then off to bed and out like a snuffed candle.

 

A secret order of wizards rules the world. One man has vowed to destroy them. The Initiate by James L. Cambias is coming to a bookstore near you February 4. 

Arisia 2020 Report, Day 1

I drove out to Boston on a sunny but cold January afternoon, left the car at the disintegrating Alewife garage, and rode the T to the good old Westin Waterfront hotel.

Various delays en route and long lines at the hotel meant I barely had time to get my room, get my Arisia badge, and get my Participant Packet before it was time for my first event. But despite the crowds the hotel and convention staff were very efficient, so I was able to slide into the Independence room with a few minutes to spare.

"Stories From the Cities" was the title for a session of three readings by Andrea Hairston, W.B.J. Williams, and myself. Dr. Hairston read a couple of rousing chapters from her upcoming fantasy novel, Mr. Williams shared part of an urban fantasy work-in-progress, and I read an excerpt from (of course) The Initiate. All three seemed well-received by the half-dozen attendees — not a bad crowd for the very first time slot at 5:30 on Friday afternoon.

Immediately after that, conveniently in the same room, we had the panel on "Not With My Intellectual Property, You Don't." The panel included Diane Martin, Kristin Janz, Emperor Joey 1, Mark Painter, and myself. It became a very lively and thoughtful round-table discussion, touching on the effect of corporate ownership on works of art, the role of pastiche, fan fiction, and reimaginings; and kindred topics.

Then I hustled all the way across the hotel for a very fun panel about the Bone Wars between Othniel Charles Marsh and Edward Drinker Cope. With a peerless panel of experts including Mark Amidon, Ken Gale, and Jeff Hecht, we filled the hour with fun paleontology history. The four of us dovetailed nicely in our knowledge areas, so we had excellent "chemistry" and energy.

I paid a visit to the Art Show, hobnobbed with the convention's Guest of Honor, Cadwell Turnbull, and then . . . I went to bed. I'd been fighting a cold all afternoon, and didn't really think it would be wise to spread viruses around the hotel and just make myself sicker in the process.

Con Impressions: a big crowd, lots of young people. Fewer hall costumes than I recall from past years, but the brutally cold day might have something to do with that. Convention management ran extremely smoothly. The 75-minutes time slots with 15-minute breaks in between gave everybody time to get around and the panelists could spend a full hour in discussion. I think I prefer the longer time slots.

 

A secret order of wizards rule the world. One man has vowed to destroy them. The Initiate arrives February 4, 2020!

Arisia 2020 — The Initiation Begins

This year's Arisia convention will be back at the Boston Westin Waterfront, January 17-20. I'll be there Friday the 17th through Sunday the 19th, and it's going to be a busy weekend.

Friday 5:30 p.m.: "Stories From the Cities" — A joint reading with myself, Andrea Hairston and W.B.J. Williams. All three stories are connected with cities; my own will be an excerpt from my upcoming book The Initiate.

Friday 7:00 p.m.: "Not With My Intellectual Property, You Don't" — A panel discussion about the legality, morality, and practicality of writing continuations of other people's fiction. (I'll be moderating.)

Friday 8:30 p.m.: "Cope vs. Marsh — The Bone Wars" — Pretty much what it says on the tin: a panel discussion about how the personal rivalry between two 19th-century scientists transformed paleontology. (I'll be moderating and plugging the hell out of my card game.)

Saturday, 10:00 p.m.: "Late Night Writers Cafe" — A meetup for writers and those learning the craft. I'll be one of the two co-hosts.

Sunday, 10:00 a.m.: "Fifty Years After Ringworld" — Larry Niven's novel Ringworld is one of the field's enduring classics. What makes it so great? (I'll be moderating this one as well.)

Sunday, 5:30 p.m.: "Writers React to Bad Writing" — A panel of writers will bring in examples of bad writing in published work, and explain what makes them so bad.

Sunday, 8:30 p.m.: "The Hacker's Guide to D&D" — Ways to tinker with the mechanics of everyone's favorite roleplaying game in order to make it easier or more fun. (I will, inevitably, be moderating.)

 

The tyranny of the sorcerers must end! The Initiate arrives in bookstores February 4, from Baen Books.